Fashion and architecture share a common philosophy, both serve a function, but true masterpieces transcend mere practicality and become time documents. The outfit I am wearing on the Great Wall of China is not a random choice, but a carefully composed story of brands that, like the Great Wall of China itself, believe in lasting quality and traditions worth preserving. On my wrist I wear a watch that once traveled to the Antarctic with American naval expeditions – the Nivada Grenchen Antarctic GMT Tropical<\/a><\/strong>. Along with it, ALPHA STUDIO<\/a><\/strong> roll top made of the finest merino wool that comes from Florence, Kiton<\/a><\/strong> pants with mini houndstooth pattern made from a combination of the finest wool and cashmere that represent the pinnacle of the Neapolitan tailoring school and Carlos Santos<\/a><\/strong> loafers with tassels Whindersson model that carry the spirit of the Portuguese artisan footwear tradition.<\/p>\n\n\n When we talk about the Swiss watchmaking industry, names such as Rolex, Omega or Patek Philippe often come to mind. However, there are brands whose story may not be as commercially exposed, but whose contribution to horology is just as significant. Nivada Grenchen<\/a><\/strong> is one of those brands, a company whose history begins in 1926 in the small Swiss town of Grenchen, famous for watch production.<\/p>\n\n\n\n The founders Otto W\u00fcllimann, Hermann Schindler and Jakob Schneider united their vision in the company originally named W\u00fcllimann, Schneider, Nivada SA. Their focus from the very beginning was clear, the production of precise, functional watches that do not need a luxury label but are a reliable tool for everyday life. In an era when automatic watches were a revolutionary novelty, Nivada Grenchen was among the pioneers who adopted this technology as early as the late 1920s.<\/p>\n\n\n What makes Nivada Grenchen<\/a><\/strong> special is not just technical innovation but an authentic story of survival through turbulent decades. During the 1930s, the company gained recognition in the Swiss industry, participating in national exhibitions and establishing cooperation with the American company Croton Watch Co. Inc. a partnership that will become crucial for the expansion of the brand on the international market. However, this is where one of the most interesting legal disputes in the watch industry begins.<\/p>\n\n\n\n In 1939, the Movado company disputed the similarity of the name “Nivada” with their brand, which resulted in a long legal battle. The solution came in 1958 when the brand officially adopted the name Nivada Grenchen<\/a><\/strong>, adding the name of the city as a differentiating element. Despite these legal obstacles, the company continued to expand its distribution and by the 1960s was present in more than 84 countries worldwide.<\/p>\n\n\n\n But the real story begins in 1950, when Nivada Grenchen launched the Antarctic model, a watch that was designed as a reliable, waterproof automatic watch for everyday use. No one could have predicted at the time that this model would become part of one of the most significant expeditions of the twentieth century. Between 1955 and 1956, the US Navy organized “Operation Deep Freeze I”, a preliminary expedition to the South Pole that was part of the preparations for the International Geophysical Year (1957-1958). This mission was led by Rear Admiral Richard Evelyn Byrd Jr., the legendary polar explorer who became the first man to fly over the North Pole.<\/p>\n\n\n Expedition members wore Nivada Grenchen<\/a><\/strong> Antarctic watches during that mission. The watches were exposed to extreme conditions such as prolonged immersion in water, exposure to extreme altitudes, high magnetism, impacts on ice, and according to some sources, were never wound during the entire expedition. Despite everything, the clocks continued to show accurate time. This expedition became a marketing story that Nevada Grenchen uses to this day, proudly pointing out that their watch “went through the ice of Antarctica.”<\/p>\n\n\n\n This authentic story of endurance in the harshest conditions is not only about the technical specifications of the watch but about the philosophy of the brand, creating a tool that serves a purpose, not a show of status. Nivada Grenchen did not seek fame through marketing campaigns, but through results on the field. The Antarctic line has become symbolic for the brand, representing the combination of functionality and reliability that characterizes the best “tool watches” generation.<\/p>\n\n\n In the 1960s, Nivada Grenchen<\/a><\/strong> continued to innovate. In 1961, the brand launched the Chronomaster Aviator Sea Diver, an ambitious chronograph with tachymeter, yacht timer, rotating diving bezel and dual time zone. It was a watch created for active people: pilots, rally drivers, doctors and divers. A few years later, in 1964, came the Depthmatic, the first diving watch with a built-in bathymeter (an instrument for measuring the depth of the sea), followed by the Depthmaster model in 1965, which was resistant to a pressure of 100 ATM or 1000 meters of depth.<\/p>\n\n\n\n But like many Swiss brands, Nivada Grenchen could not escape what the industry called the “quartz crisis” of the 1970s and 1980s. The advent of cheap, accurate quartz watches from Japan disrupted the Swiss industry. For brands like Nivada Grenchen<\/a><\/strong>, which focused on mechanical watches as tools, the quartz revolution posed an existential threat. Users wanted precision and reliability, and quartz watches offered just that at a significantly lower price. The oil crisis that occurred in 1973 further worsened the situation. Production of Nivada Grenchen was stopped in the late 1970s, the factories in Solothurn were closed, and the brand disappeared from the market.<\/p>\n\n\n\n Over the following decades, ownership of the brand changed several times. Vintage Nivada Grenchen<\/a><\/strong> watches remain sought after by collectors who recognize their historical significance and quality craftsmanship. But it wasn’t until 2018 that Guillaume Laidet and R\u00e9mi Chabrat decided to revive Nivada Grenchen, focusing on reissuing classic designs with updated production techniques.<\/p>\n\n\n The first relaunched models included the Chronomaster, Antarctic and Depthmaster, all of which were well received by collectors and enthusiasts. What makes this reboot special is its authenticity. Mr. Laidet and Mr. Chabrat not only bought the rights to the name but understood the importance of the collecting community. Nivada Grenchen<\/a><\/strong> today functions as a brand run by collectors for collectors, decisions on new models are made based on community feedback via the Instagram platform. When the community shows interest, the brand launches the model. Sometimes, collectors themselves discover rare vintage models that the brand then recreates, thus the Antarctic Spider<\/a><\/strong> model was born.<\/p>\n\n\n\n The watch I wear on my wrist, the Antarctic GMT Tropical<\/a><\/strong>, is a perfect example of this philosophy. It’s not just replicating vintage designs; it is a respect for the original story with the use of modern components that guarantee reliability. The model has a 35mm stainless steel case, a combination of brushed and polished surfaces that reflect light as I move along the Great Wall of China. The \u201cTropical\u201d part of the name refers to the specific patina effect that vintage Antarctic watches acquire over time, the dial turning from black to a warm brown shade, an effect that was originally created spontaneously, and today has been carefully recreated. The GMT function allows you to track two time zones simultaneously, a practical detail for traveling between Belgrade and Beijing.<\/p>\n\n\n\n But what attracts me to Nivada Grenchen<\/a><\/strong> is not only a brand that solely relies on technical specifications, but respects its philosophy. In an age where watches often serve as status symbols, Nivada Grenchen remains true to its original mission, which is to create functional and reliable timepieces at a reasonable price. These are not watches that need special attention, they quietly go about their business, day after day, just as their ancestor did on the Antarctic ice seven decades ago. It’s an approach that resonates with my philosophy of fashion, quality over quantity, function over ostentation, story over marketing.<\/p>\n\n\n\n As I stand on the Great Wall of China, with Nivada Grenchen<\/a><\/strong> on my wrist, the parallel becomes apparent. Both the Wall and the clock are testimonies of human perseverance, structures created with the intention to last, to serve a purpose, to survive time. They are not there to impress but to function. And therein lies their true beauty.<\/p>\n\n\n The merino sweater that keeps me warm while the September wind on the Great Wall of China catches the ancient stone steps comes from Florence, a city that has defined Italian aesthetics for centuries. ALPHA STUDIO<\/a><\/strong> is a brand that may not be as well known as some Italian giants, but it is precisely in this relative anonymity that its authenticity lies. Founded in 1985 by Franco Rossi, ALPHA STUDIO was not born out of a desire for global dominance but out of love for quality and respect for people and their individual value.<\/p>\n\n\n\n Franco Rossi founded the company with a clear vision, to make essential elegance accessible to everyone through quality and culture. Unlike many brands that over the decades lose their identity in search of profit, ALPHA STUDIO<\/a><\/strong> has remained a family business. The Rossi family continues to run the company, passing on the values \u200b\u200band style that are recognizable in each individual model. It’s not just a marketing story, it’s a passion for creating quality knitwear that can be felt in every piece.<\/p>\n\n\n\n What makes ALPHA STUDIO special is their focus on knitwear, a clothing category that many brands treat as secondary. But in Florence, a city known for its textile industry and craftsmanship, knitting is not just a winter necessity but an art. ALPHA STUDIO<\/a><\/strong> combines knowledge of knitting and production with references to tradition and an avant-garde approach. The result is clothing that both respects heritage and looks forward.<\/p>\n\n\n The merino wool used for this roll is not a random choice. Merino sheep, originally from Spain but now mainly bred in Australia and New Zealand, produce wool that is extremely fine with fibers that are significantly thinner than traditional wool. This fineness means that the material does not cause skin irritation, a phenomenon many associate with wool. Additionally, merino wool has natural thermoregulatory properties, warming when it’s cold but allowing the skin to breathe when the temperature rises. On the Great Wall of China, where the temperature changes dramatically between areas exposed to the sun and shaded sections in the shade, these properties become a practical advantage, not just a technical specification.<\/p>\n\n\n\n But technical features are only part of the story. What attracts me to ALPHA STUDIO<\/a><\/strong> fashion pieces is their philosophy of “essential elegance”, an approach to design that is not driven by passing trends but by a universal aesthetic that can follow the times. It is a design that strives to be timeless, not seasonal. When I buy a skateboard from ALPHA STUDIO, I’m not buying a trend that will be irrelevant in a year, but an investment that will be equally relevant in five, ten, fifty years.<\/p>\n\n\n The company emphasizes its approach of transparency and reliability. In an industry characterized by fast fashion and exploitative practices, ALPHA STUDIO<\/a><\/strong> upholds the values \u200b\u200bof a family business where human relationships are prioritized. It is not only an ethical approach but a practical one, craftsmen who work with respect and under fair conditions produce better quality goods.<\/p>\n\n\n\n The price of ALPHA STUDIO products is another interesting aspect. The brand positions itself as “affordable luxury” allowing customers to wear extremely high quality at a reasonable price. It is not a dilution of luxury, but a different definition of the concept. Luxury is not necessarily about the price tag but about how long the piece lasts, how the wearer feels, and how it is worn and stored. A merino roll that will serve me for ten seasons is a better investment than cheap alternatives that I will throw away after one winter.<\/p>\n\n\n\n The ALPHA STUDIO turtleneck sweater<\/a><\/strong> in this outfit serves as a base, the neutral camel color allows other elements of the outfit to be in focus, but at the same time provides texture and depth. It’s a piece that provides a quiet but secure foundation, allowing the Kiton pants and Nivada Grenchen watch to take center stage, but never seeming like a supporting role. That’s the role a good knit should play, to be a true support, not competitive.<\/p>\n\n\n If there is a brand that epitomizes Italian tailoring in its purest form, it is Kiton<\/a><\/strong>. Founded in 1968 in Arzan near Naples by Ciro Paone, Kiton is not just a clothing company but an institution that preserves the Neapolitan tailoring tradition that goes back to 1351, when the Confraternity of Tailors was founded.<\/p>\n\n\n\n The name Kiton comes from the Greek word “chiton”, a ceremonial tunic worn by the ancient Greeks and Romans. This choice of name is not accidental; it speaks to the brand’s aspiration to create clothing that transcends practicality and enters the ceremonial space, clothing that signifies the specialness of the moment, not just function.<\/p>\n\n\n\n Ciro Paone, the man behind Kiton, comes from a family of textile merchants that goes back five generations. When he founded his company in 1956 (first naming it “CiPa” by Ciro Paone), his timing coincided with “Il Boom”, Italy’s post-war economic boom that followed World War II. But while Rome and Florence were the centers of Italian fashion at the time, Mr. Paone saw potential in Naples, a city with an unprecedented tailoring tradition that was at risk of being forgotten.<\/p>\n\n\n Turtleneck Sweater:\u00a0<\/em>Alpha Studio<\/a><\/strong><\/p>\n\n\n\n Watch:<\/em>\u00a0Nivada Grenchen<\/a><\/strong><\/p>\n\n\n\n Trousers:<\/em>\u00a0Kiton<\/a><\/strong><\/p>\n\n\n\n Loafers:<\/em>\u00a0Carlos Santos<\/a><\/strong><\/p>\n\n\n During the 1970s, 1980s and 1990s, Mr. Paone became the driving force that put Naples on the modern tailoring map. His charisma, business connections and sense of business and fashion made him the leader of a movement that had one goal, which was to emphasize and highlight the Neapolitan tailoring tradition. Italian fashion journalist Angelo Flaccavento once said: “He was the patron of Neapolitan tailoring, in the sense that he gathered all the tailors in the Naples area and created a whole myth, it was an art that was in danger of disappearing completely.”<\/p>\n\n\n\n For his contribution to the Italian fashion industry, Mr. Paone received the Order of Merit for Labor from the Italian government in 1999, an award given to individuals who have made a significant contribution to the country’s economic development. When Mr. Paone died in 2021 at the age of 88 in his home in Naples, he left behind not only a successful company but a preserved tradition.<\/p>\n\n\n What makes Kiton<\/a><\/strong> special? The company’s motto is “Il meglio del meglio pi\u00f9 uno” translated from Italian as “the best of the best plus one.” It’s not just a phrase, it’s an operating principle. Kiton only produces 20 suits per day, ensuring that each piece meets the highest standards. Each suit passes through the hands of more than 10 craftsmen and requires over 25 hours of handwork. It is not mass production; it is a tailoring studio on an industrial scale.<\/p>\n\n\n\n The company owns its own Carlo Barbera textile mill, which allows them to create exclusive fabrics available only in their boutiques. Kiton uses the finest materials on the planet such as vicu\u00f1a (the finest animal fiber in the world, obtained from South American Andean llamas), cashmere, linen, silk and the famous 12.8 micron wool which is exclusive to the brand and produced in their own facilities. This ultra-fine wool is comparable to the precious vicu\u00f1a precisely because it is light, soft and smooth.<\/p>\n\n\n\n The pants I’m wearing on the Great Wall of China are mini houndstooth pattern, a classic print that combines two colors (in this case beige, camel and brown) in a small check pattern. The fabric is a blend of the finest wool and cashmere, a combination that provides the structure of wool with the softness of cashmere. It is not a mass-produced fabric; it is a material that requires attention and mastery.<\/p>\n\n\n Kiton<\/a><\/strong> owns five production plants: Arzano for primary production, Caserta for sportswear, Parma for outerwear, Fidenza for knitwear and Biella for textiles. But despite a global presence with 60 monobrand stores and 300 wholesale accounts worldwide, the company remains a family business. Maria Giovanna Paone, Ciro’s daughter, presides and manages the women’s line, which she introduced in 1995.<\/p>\n\n\n\n The company also runs the Scuola Superiore di Sartoria, a school of advanced tailoring founded in 2000 with the aim of training new generations of tailors. The three-year program accepts students between the ages of 16 and 21, mostly from Naples, but also international students. About 80% of students find employment in Kiton or other companies. This is not just workforce training; it is the preservation of a tradition that might otherwise disappear.<\/p>\n\n\n\n As I stand on the Great Wall of China in Kiton<\/a><\/strong> trousers, I am aware of the weight of that choice. It’s not just pants, it’s a statement about life values. In an age of fast fashion where clothes are used and thrown away, Kiton represents the opposite, a wardrobe that is inherited, repaired, nurtured. It’s a philosophy I deeply resonate with.<\/p>\n\n\n The tassel loafers on my feet as I walk the ancient stone of the Great Wall of China carry the spirit of the Portuguese shoe tradition Carlos Santos Whindersson<\/a><\/strong> model with characteristic fringes that sway in the wind. Carlos Santos<\/a><\/strong> may be less well-known than Italian and French brands such as Santoni or Berluti, but it is precisely in this relative anonymity that the authenticity of their craftsmanship lies.<\/p>\n\n\n\n The Carlos Santos story begins back in 1942 when Zarco-F\u00e1brica de Cal\u00e7ado was founded, a plant in S\u00e3o Jo\u00e3o da Madeira, a city in northern Portugal that is to footwear what Northampton is to England or Marche is to Italy. Until 1975 and the fall of the Estado Novo regime, the company produced shoes primarily for the local market and exported them to England under the customer’s brand (brand).<\/p>\n\n\n\n But the real story begins with a young man named Carlos Alberto Rodrigues dos Santos who started working in the offices of the Zarco factory at the age of 14. For a young Portuguese man in the late 1960s, the future could be a complicated place, the world was changing, from politics to consumer habits, but Portugal had the oldest dictatorship in Europe. Nevertheless, young Carlos was passionately interested in shoes, hardworking, ambitious, and most importantly, he did not see fashion as superfluous even in those difficult days, it was a way to make life more beautiful, less difficult, better.<\/p>\n\n\n He would quickly leave the office and run to the plant floor to watch the people at work and see how the shoes were made. He moved from the office to sales, from sales to management, and during the 1970s and 1980s he was already traveling the world in search of the best examples. He attended fashion shows, bought shoes he never wore, rather took them apart to understand the techniques of great designers. He simply knew, within himself, that given the right conditions, Portuguese masters could work as well as the best.<\/p>\n\n\n\n Meanwhile, Portugal made a revolution and joined the European Community. Carlos became a partner in Zarac, and later the sole owner. He gradually realized his own brand that he designed in his head for years. Later, in 2010, he launched Carlos Santos<\/a><\/strong>, a brand named after him, which today exports about 90% of its production outside Portugal to countries in Europe, the Middle East and the United States.<\/p>\n\n\n\n Carlos Santos<\/a><\/strong> shoes are produced using the Goodyear Welted method, a manual technique that uses machines only to complement production. This is a method that allows shoes to be repaired and resoled multiple times, extending their lifespan for decades. In an age when most footwear is manufactured using cement methods that allow for single use and disposal, the Goodyear Welt is a statement piece.<\/p>\n\n\n The company even established its own school where they train people with no prior knowledge of footwear, training them according to their specialization. This training still exists and takes four to five years to train a person. This allows, in addition to spreading the craft to young people, preserving the desire to go further in the field of craft work.<\/p>\n\n\n\n The Whindersson tassel loafers<\/a><\/strong> I’m wearing are a classic tassel loafer style, a shoe without laces with an exposed ankle and a seam at the top of the vamp. These shoes have a separate sole, unlike classic moccasins that often have a low heel. The characteristic fringes (tassels) are not only a decorative element but a recognizable detail that originates from the American college culture of the 1950s when loafers became a status symbol of the academic elite.<\/p>\n\n\n\n But what makes Carlos Santos<\/a><\/strong> special is not just the craftsmanship but the materials. The hides come mainly from the French tanneries De Puy and D’Annonay, some of the most respected sources of leather in the world. Hand-dyed models are created from raw crust leather and hand-dyed in more than 20 colors with extremely natural shades. When you hold a Carlos Santos shoe in your hands, you feel the quality of the leather as there is a noticeable difference in quality compared to other brands in this price range.<\/p>\n\n\n On the outside as well as on the inside of the Carlos Santos<\/a><\/strong> shoe, the focus is on the material, a high-end material that aims less for quantity and more for the best quality. This is a philosophy that Carlos Santos has never compromised.<\/p>\n\n\n\n As I walk the Great Wall of China in Carlos Santos shoes, I am aware that my feet rest on decades of Portuguese craftsmanship. It’s not just footwear; it is a manifesto of value and durability over the ability to discard something after a short or one use, quality over quantity, craft over mass production.<\/p>\n\n\n\n The Great Wall of China and these clothes are testaments to the same philosophy, which is to create something that will last, something that serves a purpose, something that transcends the current trend and becomes timeless.<\/p>\n\n\n\n The Nivada Grenchen<\/a><\/strong> watch that survived the Antarctic ice, the ALPHA STUDIO<\/a><\/strong> merino turtleneck woven in Florence, Kiton<\/a><\/strong> trousers created with Neapolitan craftsmanship, Carlos Santos<\/a><\/strong> moccasins created in a Portuguese atelier, each piece carries a story that goes beyond its function. It’s not just objects; they are manifestations of the values \u200b\u200bI advocate such as quality over quantity, true durability over trend, craftsmanship over mass production.<\/p>\n\n\n In a world where we are attacked with fast fashion options and where clothes are used and thrown away, this outfit represents the opposite. It is an investment approach to the wardrobe where each piece serves for decades, where it is maintained, repaired, cared for. Where the value is not in novelty but in durability.<\/p>\n\n\n\n The Great Wall of China was built by many generations over the centuries, each of them adding their own stone with the intention of making it last. The brands I carry share that philosophy, that they create with the intention that their products survive not only current seasons but generations and become timeless classics. It is an approach to fashion that fully resonates with my vision, not as a consumer good but as a cultural approach.<\/p>\n\n\n As the sun slowly sets behind the ancient towers, leaving a long shadow over the thousand-year-old stone steps, I feel connected to the idea that quality is not a luxury but a necessity. That conscious consumption is not about restriction but about choice. That investing in pieces that last means investing in the future where we value craftsmanship, tradition and the stories these pieces carry.<\/p>\n\n\n\n Today I tried to convey to you the beauty of autumn elegance and refinement, that’s why I prepared this outfit for you with a lot of love, I believe you will like it. If you have any questions, comments, suggestions or any message for me, you can write me below in the comments. Of course, as always, you can contact me via email or social media channels, which you can find on the CONTACT<\/a><\/strong> page. See you soon!<\/p>\n\n\n\n With Love from Beijing,![\"Fashion](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic9.jpg\")
<\/a><\/figure>\n<\/div>\n\n\nNIVADA GRENCHEN: THE STORY OF A SWISS WATCHMAKING TRADITION THAT SURVIVED THE POLAR WINTER<\/h2>\n\n\n\n
![\"Mr.M](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic37.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"Close-up](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic3.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n![\"Detailed](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic21.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n![\"Complete](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic1.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"Nivada](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic20.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n![\"Swiss](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic22.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n![\"Heritage](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic19.jpg\")
<\/a><\/figure>\n<\/div>\n\n\nALPHA STUDIO: THE FLORENTINE TRADITION OF KNITTING AND ESSENTIAL ELEGANCE<\/h2>\n\n\n\n
![\"Serbian](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic26.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"Full-length](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic5.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n![\"ALPHA](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic31.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n![\"Close-up](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic38.jpg\")
<\/a><\/figure>\n<\/div>\n\n\nKITON: NEAPOLITAN TAILORING PHILOSOPHY IN THE HOUNDSTOOTH PATTERN<\/h2>\n\n\n\n
![\"Kiton](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic32.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"Italian](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic29.jpg\")
<\/a><\/figure>\n<\/div>\n\n\nOUTFIT<\/strong><\/h1>\n\n\n\n
![\"Kiton](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic23.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"Carlos](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic15.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n![\"Detail](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic28.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"Close-up](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic11.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic30.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"Kiton](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic27.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n![\"Full-length](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic10.jpg\")
<\/a><\/figure>\n<\/div>\n\n\nCARLOS SANTOS: PORTUGUESE FOOTWEAR CRAFT AND TRADITION<\/h2>\n\n\n\n
![\"\"](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic24.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"Close-up](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic17.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic35.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"Portuguese](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic14.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n![\"Detail](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic12.jpg\")
<\/a><\/figure>\n<\/div>\n\n\nTHE PHILOSOPHY OF INVESTMENT IN QUALITY<\/h2>\n\n\n\n
![\"\"](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic36.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"\"](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic34.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"\"](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic7.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n![\"Fashion](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic6.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"Luxury](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic8.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n
<\/em>Mr.M<\/strong><\/p>\n\n\n
![\"Outfit](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic2.jpg\")
<\/a><\/figure>\n<\/div>\n\n![\"Carlos](\"https:\/\/mrm-style.com\/en\/wp-content\/uploads\/2025\/11\/Nivada-Grenchen-Antarctic-GMT-Swiss-Watchmaking-Tradition-on-the-Great-Wall-of-China-Mr.M-by-Marko-Tadic-mrmbymarkotadic16.jpg\")
<\/a><\/figure>\n<\/div>\n\n\n