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<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n\nGinza is no ordinary shopping district. This is a place whose name literally means “silver mint”, because it was here, way back in 1612, during the Edo period, that the Tokugawa shogunate founded a silver coin mint. Four centuries later, that connection with preciousness and value has not disappeared, but has transformed into something even more powerful. Ginza has become synonymous with what the Japanese call “monozukuri”, a philosophy of dedicated craftsmanship, where each item is treated with the respect it deserves. And exactly in that spirit, while I was walking past the six-story building that has a recognizable intrecciato pattern on the facade, I asked myself: does my outfit that day deserve to stand on these streets?<\/p>\n\n\n\n
I found the answer in what I was wearing. Not in the brand logo or the price, but in the stories that each piece of clothing carries with it.<\/p>\n\n\n
<\/a><\/figure>\n<\/div>\n\n\nBOTTEGA VENETA: WHEN YOUR INITIALS ARE ENOUGH<\/h2>\n\n\n\n
Let’s start with what attracted the most discreet yet powerful looks that day, which were Bottega Veneta jeans in cognac, that deep, rich shade that sits somewhere between baked clay and cinnamon. But these are no ordinary jeans. It is a show model in the carpenter style, that workman’s cut that has conquered the catwalks in recent seasons, and which Bottega Veneta<\/a><\/strong> interprets in its own unique way. Straight legs with a relaxed fit, distinctive functional side pockets with flap and metal fasteners, distinctive silver threading along the seams, reinforced knee area with an additional fabric panel and tool loops on the side, all make these jeans the perfect combination of utilitarian aesthetics and high craftsmanship. The fabric is thick, sturdy, with that weight that speaks of quality before you even look at the label. And the color, that amazing cognac color that flows between warm brown and orange when caught in the light, is exactly what gives this piece a character that cannot be ignored.<\/p>\n\n\n Bottega Veneta<\/a><\/strong> is a story that begins in 1966 in Vicenza, a city in the northern Italian region of Veneto, known for its Renaissance craftsmanship and Palladian villas. The two founders, Michele Taddei and Renzo Zengjaro, had no idea that their small leather goods workshop would become one of the most influential fashion brands in the world. But they had something that set them apart from everyone else, and that was a technical limitation that they turned into a masterpiece.<\/p>\n\n\n\n Namely, the sewing machines they had at that time were not powerful enough to process thicker leather. Instead of seeing this as an obstacle, their artisans came up with an ingenious solution, they began weaving thin strips of soft leather through each other, creating the famous intrecciato technique. That interweaving, born out of sheer necessity, has become Bottega Veneta’s trademark and one of the most recognizable design elements in fashion history. The very word “intrecciato” in Italian means “braided” or “entwined”, and the technique not only strengthened the delicate leather, but gave it an aesthetic dimension that was completely unique on the market.<\/p>\n\n\n What particularly fascinates me about this brand is their slogan, which was created in the late seventies, which reads: “When your initials are enough.” In a world that was already obsessed with logomania, Bottega Veneta<\/a><\/strong> chose the completely opposite path. No logo, no highlighting, just quality that speaks for itself. Andy Warhol, pop art guru and cultural icon of the 20th century, was a regular visitor to the brand’s New York store and was so impressed that in 1985 he made a short film called “Bottega Veneta Industrial Videotape”. A year before that, in 1978 to be exact, it was Warhol who created the famous two-page spread for Interview magazine, which launched that legendary slogan.<\/p>\n\n\n\n And as I stood in Ginza, in front of the six-story Bottega Veneta store that opened in 2018 and is the brand’s largest store in all of Asia, I couldn’t help but think about how the circle is closing. The facade of that building, clad with over 900 silver metal panels imitating an intrecciato pattern, is like a bridge between two worlds, Italian craftsmanship and Japanese attention to detail. The interior of the store combines “Kyoto white” plaster wall treatment with Italian marbles, wood floors made of local ash, a local Japanese species that gives a rare and precious texture. This 800 square meter space is not just a shop, it is a place where craft traditions meet.<\/p>\n\n\n\n The cognac color of my Bottega Veneta carpenter jeans that day seemed to fit the story perfectly. Earthy, warm, self-assured, but without pretensions, with a depth that is revealed only when you stop and really look. Tone after tone with the Alpha Studio roll, the entire shades form a monochromatic composition that is complex yet natural. In the photos taken at the famous pedestrian crossing in front of the legendary Wako building, whose clock tower looms in the background, those jeans look like they were created for this environment, an urban spirit with an artisanal soul.<\/p>\n\n\n Turtleneck Sweater:\u00a0<\/em>ALPHA STUDIO<\/a><\/strong><\/p>\n\n\n\n Wallet:<\/em>\u00a0Yuhaku<\/a><\/strong><\/p>\n\n\n\n Watch:<\/em>\u00a0Appella<\/a><\/strong><\/p>\n\n\n\n Denim:<\/em>\u00a0Bottega Veneta<\/a><\/strong><\/p>\n\n\n\n Sneakers:<\/em>\u00a0Carlos Santos<\/a><\/strong><\/p>\n\n\n It is worth mentioning that in 2001, Bottega Veneta<\/a><\/strong> passed into the hands of the Gucci Group, today known as Kering, for 156 million dollars. Patricio di Marco was appointed as director and Thomas Mayer as creative director, and it was Mayer who returned the brand to its roots. He removed the visible logos, highlighted the intrecciato weave and stated a sentence that perfectly sums up the brand’s philosophy: “The Italian craftsman was the starting point. Today, the collaboration between designer and craftsman is at the heart of everything we do.” Under Mayer’s leadership, sales grew fifteenfold to reach $1 billion in 2012. Vogue magazine coined the term “stealth wealth” for Bottega Veneta, a term that has since become synonymous with an entire approach to fashion and life.<\/p>\n\n\n\n In 2013, Bottega Veneta moved its atelier from Vicenza to a historic villa from the eighteenth century surrounded by a park of almost 55,000 square meters near Montebello Vicentina. The villa received LEED platinum level certification, making Bottega Veneta the first Italian fashion and luxury company to achieve this level of environmental awareness. It speaks of a brand that thinks not only about beauty, but also about responsibility.<\/p>\n\n\n\n Today, the brand has been managed by Louise Trotter as creative director since 2024, and the brand’s revenue has reached an incredible 1.7 billion euros. From a small workshop in Vicenza to a global empire, and the heart has remained the same: craftsmanship above all.<\/p>\n\n\n Underneath it all, literally and metaphorically, I wore a merino wool roll top from Alpha Studio<\/a><\/strong>. It’s a classic model with a high collar in the tone of cinnamon, that warm shade that perfectly matches the color of the Bottega Veneta jeans and creates a uniform, monochromatic ensemble. It is this monochromaticity that gives the whole outfit a sophistication that is noticeable at first glance. When you wear similar tones from head to toe, every detail comes to the fore, every stitch, every texture, every material transition, from the softness of the merino wool on the torso to the thickness of the denim on the legs. Merino wool, for those who don’t know, is one of the finest natural fibers in the world. It is obtained from merino sheep, a breed that originates from Spain but today is most widespread in Australia and New Zealand. What makes merino special is the incredible fineness of the fiber, which can be thinner than human hair, giving it a softness that synthetic materials simply cannot replicate.<\/p>\n\n\n\n Alpha Studio<\/a><\/strong> is a brand that has been around for over forty years, founded by Franco Rossi in the heart of Tuscany, based near Florence. His mission was simple but ambitious: “To make essential elegance accessible to everyone through a vision of quality and culture.” This was not an empty advertising slogan. Rossi deeply believed that style should not be an exclusive privilege, but an accessible value for all who recognize quality.<\/p>\n\n\n The company is still in the hands of the Rossi family today, which is a rare and precious thing in today’s fashion world, where corporations are gobbling up independent brands at high speed. Each piece produced by Alpha Studio carries a deep knowledge of knitting and production, combining respect for tradition with an avant-garde approach to design. Florence, a city that was the cradle of the Renaissance, the city of Michelangelo, Botticelli and Brunelleschi, gives Alpha Studio a cultural context that is hard to beat. When you wear their skater, you are in a way wearing a small part of that Florentine story.<\/p>\n\n\n\n On the streets of Ginza, where tradition and the modern world intertwine at every turn, that skateboard was the perfect choice. Its simplicity allowed all the other elements to come to the fore, while at the same time providing that feeling of comfort and quality that only natural fibers can give. Merino wool has a natural ability to thermoregulate, which means it keeps you warm when it’s cold, but doesn’t overheat when it’s warmer. It is also naturally resistant to unpleasant odors and has antibacterial properties, making it an ideal material for travel and long wear. In the world of fashion, roll is what musicians call the “bass line”, you don’t always hear it consciously, but without it everything would sound so empty.<\/p>\n\n\n\n The headquarters of the Alpha Studio<\/a><\/strong> brand is located in Comeana, in the province of Prato, only twenty kilometers from the center of Florence. This area of \u200b\u200bTuscany has been the center of the textile industry for centuries, and this proximity to sources of quality materials and generations of experienced artisans gives Alpha Studio an advantage that younger or more geographically distant brands can hardly achieve. When you buy their product, you are buying access to an entire ecosystem of knowledge and skills that has been built up over generations.<\/p>\n\n\n Is it time to tell you about the wallet? Of course. Because in the country where it originated, in Japan, a wallet is not just a functional item, it is an expression of personal style and respect for the craft. My Yuhaku wallet<\/a><\/strong>, a round zipper model in dark brown with a beautiful leather interior that shows every time you open it, was perhaps the most interesting detail of my outfit that day, which was deeply symbolic given where I was. In the photos you can see it in my hand as I cross the pedestrian crossing in Ginza, that contrast of the dark leather of the wallet with the warm cognac color of the jeans and the skateboard creates a visual accent that is both discreet and effective.<\/p>\n\n\n\n Yuhaku<\/a><\/strong> was founded in 2009 by Tomohiro Nakagaki, a man who originally studied architecture, which is evident in the clean lines and structural elegance of his creations. But what makes Yuhaku truly unique in the world of leather goods is the dyeing technique. Nakagaki developed his own, patented method of hand dyeing leather based on the principles of painting. Each piece of leather is dyed more than fifteen times by hand, using cloth soaked in ink, and then even the individual perforations are finished with a cotton swab. The result is a depth of color and a gradient reminiscent of watercolor, something that is completely unprecedented in the leather goods industry.<\/p>\n\n\n The brand describes its philosophy as “portable art” and that’s really not an exaggeration. Yuhaku<\/a><\/strong> craftsmen work with a tolerance of 0.1 millimetres when it comes to leather thickness, seeking the perfect balance between strength and lightness. The interior is lined with scratch-resistant saffiano leather, and the capacity is impressive, holding around fifty bills and twelve cards, plus it has a handy change pocket in the middle. What particularly appeals to me about Yuhaku products is their philosophy of “imperfect perfection”. Artisans deliberately preserve the natural marks on the leather, because they believe that it is precisely these details that give each piece its individuality and character. In a highly digitized world, this dedication to human touch and sensibility feels refreshing and important.<\/p>\n\n\n\n It is interesting that Yuhaku<\/a><\/strong> has his own boutique gallery right in Ginza, which closes another circle in this story. Walking through the streets of this district, I was literally surrounded by the spirit of the brand whose wallet I carried in my pocket.<\/p>\n\n\n The Japanese tradition of leather processing, known as “kawakogei”, has roots going back over a thousand years. Although the diffusion of leather products in ancient Japan was limited due to cultural and religious taboos, especially in the Buddhist tradition, over the centuries a very specific aesthetic has developed that combines functionality with spirituality. The Himiji region of Hyogo Prefecture, for example, is famous for its white skin or \u201cshirogawa,\u201d which is processed using a traditional process in the waters of a local river, where natural bacteria dissolve the hair follicles and release special enzymes. The skin is then rubbed with salt and dried in the sun, bleaching naturally without the use of artificial colors. This tradition, which dates back centuries, creates the context in which a brand like Yuhaku can exist and thrive.<\/p>\n\n\n\n Mr. Nakagaki, the founder of the Yuhaku<\/a><\/strong> brand, divides his production process between his own workshop in Japan and a factory in Italy that has state-of-the-art machine technology. He designs even the tiniest metal details himself, with the ambition to make Yuhaku a total design center that controls every aspect of its product. This dedication to quality control at every step of production reminds me of the Japanese concept of “kaizen”, continuous improvement, which is the philosophical basis of the Japanese approach to craft.<\/p>\n\n\n On my wrist that day was an Appella watch<\/a><\/strong>, a brand that traces its roots back to 1943, when it was founded in Switzerland by watchmaker Paul Glocker. Glocker was not just any kind of master. He was the president of the Ebossa group, the factory where the legendary Georges Frederic Roscoff invented the Roscoff watch movements, an innovation that revolutionized the industry by making precision timepieces more accessible to a wider audience.<\/p>\n\n\n The very name Appella<\/a><\/strong> has an unexpected poetic origin. Originally, it is the name of the asteroid that the Russian astronomer Benjamin Pavlovich discovered in November 1922 in Algeria, and he named it after the French mathematician Paul Emile Appel. From the sky to the wrist, you could say. Glocker was originally from Basel, and he founded his company Ebossa in the twenties of the last century with headquarters in Grange, a town in the canton of Solothurn, which is one of the most important centers of the Swiss watchmaking industry. It was in the Ebossa factory that Georges Fr\u00e9d\u00e9ric Roscoff worked, a visionary who designed a mechanism that made watches more accessible to the wider population. Glocker inherited that tradition of democratizing quality and built it into the DNA of the Appella brand.<\/p>\n\n\n Glocker founded “Manufacture de Montres Appella SA” in Grange, i.e. Grenchen, in 1963, formalizing what he had been building for decades. Today, the brand operates under the management of ADRIATICA PR & A Watch Sagl, a company with rich experience in watchmaking, which recognized the potential of combining two traditions, Adriatica and Appella, into a unique offer that is 100% Swiss made.<\/p>\n\n\n\n What makes Appella<\/a><\/strong> watches distinctive is the use of sapphire glass to protect the dial. Sapphire glass is, after diamond, the hardest transparent material in the world, which means outstanding scratch resistance and an impeccable quality of transparency that reveals the beauty of the watch. The model I wore at Ginza, with its clean lines and classic aesthetic, perfectly fit the philosophy of elegance without pretension. Swiss precision in the heart of the Japanese capital, two nations that share a passion for detail and perfection, found themselves on my wrist in perfect harmony.<\/p>\n\n\n And at the end of this fashion story, it’s time to tell you something about the shoes in which he walked around Ginza, my Carlos Santos<\/a><\/strong> leather sneakers, model Lonnie<\/a><\/strong>, in a beautiful combination of beige and cream tones with subtle brown leather trims that outline the silhouette of the sneaker. These are sneakers that shatter preconceived notions of what athletic footwear can be when crafted by hands that respect the craft. The soft leather, clean silhouette, flat light sole platform and that refined contrast between light surfaces and dark lines give them a look that is both relaxed and thoughtful. On the streets of Ginza, at that famous crosswalk where I photographed them with Bottega Veneta jeans, those sneakers were the perfect visual counterpoint to the warm cognac tones above, like a light beige base that carries the whole composition.<\/p>\n\n\n The story of Carlos Santos<\/a><\/strong>, the man behind the brand, is one of those that touches me deeply. When he was fourteen, he started working at the Zarco shoe factory in the town of S\u00e3o Jo\u00e3o da Madeira in northern Portugal. It was the late sixties, Portugal was still under the oldest dictatorship in Europe, and most people could not afford the luxury of thinking about fashion. But young Carlos had a vision. Instead of sitting at the office desk, where he was formally assigned, he ran to the production plant to watch the craftsmen making shoes.<\/p>\n\n\n\n In the seventies and eighties of the last century, he traveled the world, visited fashion shows, bought shoes, but not to wear them, but to take them apart and understand how they were made. He believed that Portuguese artisans could learn these techniques and produce shoes of the same quality as the world’s best brands. He was right. Today, Portugal is considered one of the most prestigious manufacturers of luxury footwear in the world, and Carlos Santos is one of its biggest ambassadors.<\/p>\n\n\n What sets this brand apart is the Goodyear Welted construction, the oldest manual shoemaking method in which machines play only an auxiliary role. This system involves sewing the sole of the shoe to the upper using a special seam that runs through the edge, allowing the sole to be replaced when worn out without damaging the rest of the shoe. This means that quality Carlos Santos shoes, with proper maintenance, can last for decades.<\/p>\n\n\n\n The Lonnie model, which I wore at Ginza, is a sneaker made of high-quality leather in beige tones with subtle brown outlines that add depth to a simple silhouette. It demonstrates that the comfort of sports shoes and an elegant look do not have to be mutually exclusive. On the streets where I walked ten or more kilometers that day, between temples of fashion and traditional Japanese confectioneries, these sneakers were the perfect ally. Elegant enough not to look out of place in front of the Bottega Veneta store, yet comfortable enough to last all day on my feet. With Bottega Veneta carpenter jeans that fall straight to the upper part of the sneaker, the combination looks like it was planned by a stylist, but actually came about instinctively, which is perhaps the best compliment to an outfit.<\/p>\n\n\n The brand exports about ninety percent of its production outside Portugal, to countries such as France, Germany, Japan, Belgium, Switzerland and the United States of America. And just the fact that the Japanese market, known for extremely high quality standards, accepts Carlos Santos shoes speaks volumes. The town of S\u00e3o Jo\u00e3o da Madeira in northern Portugal, where these shoes come from, can be compared to England’s Northampton or Italy’s Marche region, as it is a place where the tradition of shoemaking is deeply rooted in the local culture and economy. Today, the Portuguese footwear industry employs tens of thousands of people and exports to the entire world, and Carlos Santos is one of its brightest ambassadors.<\/p>\n\n\n\n The family character of the brand is also reflected in the fact that today his daughter Ana Santos and son Armando Santos work alongside the founder, sharing the same values \u200b\u200bthat inspired Carlos when he ran away from his office desk as a fourteen-year-old to watch the craftsmen sew shoes. Passion for shoes, dedication to work and ambition to create shoes that people will be happy to wear, these are the principles that have guided this family for more than four decades. The Santos by Carlos Santos line represents the crown of their offer, with shoes whose price can reach 3,750 euros, while the Green Label line offers a more casual, contemporary look.<\/p>\n\n\n I return to Ginza, because it was the scene where all these stories came to life that day. This district has a unique ability to make one think about what quality means, what dedication to craft means and what style means in its purest form. In one of the photos, behind me I can see the legendary Wako building with the Seiko clock tower, that neoclassical gem from the 1930s that is the symbol of the entire district. On the other, the modern architecture of Ginza with its characteristic wavy facades creates a futuristic frame that is in interesting contrast with the warm, earthy tones of my outfit. Even the small koban, the police station on the corner with its distinctive pointed brick roof, adds that typical Tokyo charm to the scene where the traditional and the contemporary intertwine seamlessly.<\/p>\n\n\n\n On weekends, Ginza’s main street, Chuo-dori, becomes a pedestrian zone, so instead of cars, the boulevards are left to people. That day, walking down that street, I could see elderly Japanese couples in impeccably tailored suits window shopping, young creatives in avant-garde outfits rushing with cameras, and tourists from all over the world pausing in front of each facade with expressions of admiration. Ginza doesn’t judge, it inspires. And in that environment, my outfit, made up of pieces from five different countries, Italy, Japan, Switzerland and Portugal, somehow made perfect sense.<\/p>\n\n\n Alpha Studio turtleneck from Florence, Bottega Veneta jeans from Veneto, Yuhaku wallet from Tokyo workshops, Appella watch from Swiss manufactures and Carlos Santos sneakers from Sao Joao da Madeira, Portugal, each of these pieces carries a story of family, tradition and commitment. And each of them, in their own way, shares the same philosophy: that real luxury is not in what is seen from the outside, but in what is felt.<\/p>\n\n\n\n Therein lies the beauty of Ginza as a backdrop for this outfit. This is a place that does not tolerate mediocrity, but at the same time does not seek extravagance. Here you can meet a man in a perfectly tailored morning jacket calmly reading a newspaper by a cafe window, and you know that jacket is probably older than some of the brands advertised on the billboards above you. Ginza values \u200b\u200bwhat lasts, what is made with intention and care, what the passage of time adds value to instead of taking away from it. And it was in that spirit that I chose every piece of my outfit that day.<\/p>\n\n\n That, after all, is what fashion has taught me all these years. It’s not about brands, it’s not about prices, it’s not about trends that come and go faster than I can remember them. It’s about making sure that every piece you wear has a meaning, that behind it is someone’s story, someone’s effort, someone’s passion. And when all that is put together as a whole, as it was put together that day on the streets of Ginza, then fashion stops being a superficial thing and becomes something much deeper.<\/p>\n\n\n\n It becomes a way to tell who you are, where you come from and what you value in life. And that, I believe, is something that each of us can identify with, regardless of where we are.<\/p>\n\n\n\n As I sat that morning in one of those little coffee shops in Ginza where the waiter prepares your coffee with the precision of a surgeon and the cup is chosen with the same care as the bean, I looked down at my sneakers, glanced over my jeans, felt the soft embrace of a roller around my neck, checked the time on my watch, and instinctively touched my wallet in my pocket. Five brands, five countries, five stories, but one common thread, which is a true dedication to craft and the belief that beauty lies in details that most people will never notice.<\/p>\n\n\n And maybe that is the essence, not to pretend to be important, but to be worthy of attention. Ginza understands that. And I try to understand that every time I choose what to wear wherever I go. Whether it’s a simple walk around town or preparing outfits for long trips.<\/p>\n\n\n\n How did you like my outfit today? I really tried to prepare this post with lots of love and I hope you like it! If you have any questions, comments, suggestions or messages for me, you can write me below in the comments. Of course, as always, you can contact me via e-mail or social networks, which you can find on the CONTACT<\/a><\/strong> page. See you soon in new fashion adventures on the Mr.M blog!<\/p>\n\n\n\n With Love from Tokyo,<\/em><\/p>\n\n\n\n Mr.M<\/strong><\/p>\n\n\n This post is sponsored by Bottega Veneta<\/a>, Yuhaku<\/a>, ALPHA STUDIO<\/a>, Appella<\/a>, Carlos Santos<\/a> brands. This post represents my personal and honest review of the destination, services and products provided.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n\nOUTFIT<\/strong><\/h1>\n\n\n\n
<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n\nALPHA STUDIO: THE FEELING OF FLORENTINE CRAFTSMANSHIP ON MY SKIN<\/h2>\n\n\n\n
<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n\nYUHAKU: THE WALLET AS A PORTABLE JAPANESE WORK OF ART<\/h2>\n\n\n\n
<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n\nAPPELLA: SWISS PRECISION WITH HISTORY<\/h2>\n\n\n\n
<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n\nCARLOS SANTOS: PORTUGAL, LAND OF FOOTWEAR MASTERS<\/h2>\n\n\n\n
<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n\nGINZA: THE PLACE WHERE EVERYTHING CONNECTS<\/h2>\n\n\n\n
<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n\n