{"id":18502,"date":"2026-05-19T08:00:00","date_gmt":"2026-05-19T06:00:00","guid":{"rendered":"https:\/\/mrm-style.com\/en\/?p=18502"},"modified":"2026-05-28T22:44:34","modified_gmt":"2026-05-28T20:44:34","slug":"belstaff-british-elegance-of-quiet-luxury-from-mala-strana-prague","status":"publish","type":"post","link":"https:\/\/mrm-style.com\/en\/belstaff-british-elegance-of-quiet-luxury-from-mala-strana-prague\/","title":{"rendered":"Belstaff: British Elegance of Quiet Luxury from Mala Strana Prague"},"content":{"rendered":"\n

My dear fashionistas, welcome to a new fashion story on the Mr.M blog. Today I am taking you on a fashion walk in one of the most beautiful cities in Europe with the fashion house Belstaff<\/a><\/strong>. Prague is certainly a city that is on the travel wish list, so the pictures from today’s fashion story will further prepare you for what awaits you there. When you turn down the narrow stone steps from the Charles Bridge, the cobblestones quietly lead you to Kamp, an island on the Vltava River itself. There, on Na Kamp\u011b square, time seemed to stand still. I found the pastel baroque facades, wrought iron bars on the windows and green lanterns exactly as I had imagined them.<\/p>\n\n\n\n

This spring combination on unexpectedly cold days was created precisely on that century-old cobblestone in the heart of Prague. I was guided by the idea that today many call quiet luxury. It’s about style without big fashion names and without showing off. Instead, trumps such as: material, cut and color stand out. I combined four houses with a long history into one calm, sandy look. Let me tell you the story of each one, because behind each piece there is a century of patience.<\/p>\n\n\n

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WHAT IS QUIET LUXURY?<\/h2>\n\n\n\n

Before I move on to pieces from today’s fashion story, it is worth explaining the term itself. Quiet luxury has become a real buzzword in recent years. However, the idea behind it is as old as a good craft. It’s about clothes that carry value in themselves, not on themselves. There are no large signs or flashy patterns that shout out who you are and how much you paid.<\/p>\n\n\n\n

Instead, everything rests on three pillars. The first is the material, because the quality of cashmere or leather can be felt already to the touch. The second is the cut, which gives the body an effortless line. The third is a color, usually calm and neutral, such that it lasts for several seasons. When those three pillars come together, you get a look that simply doesn’t get old.<\/p>\n\n\n\n

A mature man is particularly pleased with such an approach. At the age when you no longer need to prove something, clothes become a means of peace, not noise. You choose fewer pieces, but that’s why it’s better. Each of them has its own story and its own place in the wardrobe. That’s exactly why I chose these four names for this walk in Prague. All four speak quietly, but fashion lovers can still hear them very well.<\/p>\n\n\n

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BELSTAFF SUEDE JACKET: A BRITISH LEGEND IN SOFT LEATHER<\/h2>\n\n\n\n

For me, Belstaff<\/a><\/strong> is the heart of today’s outfit and also the best way to start this story. It is a British house founded in 1924 by Eli Belovitch and his son-in-law Harry Grosberg. They opened a workshop in Longton, a small town in Staffordshire. The name of the brand is actually a combination of the surname Belovich and the name of the county of Staffordshire. Few people know that in the beginning it stood with two letters “l”, so the second one was removed only in the thirties.<\/p>\n\n\n\n

The house made its name famous with one important innovation. Belstaff was among the first to use waxed cotton to make waterproof clothing for motorcyclists. The material protected the rider from rain and wind, and looked good enough to wear over a suit. Leather jackets arrived a little later and quickly became a favorite among drivers and aviators.<\/p>\n\n\n\n

My jacket is from a limited series, made of the finest sand-colored suede flipped leather. It’s a pilot cut, with a drop collar, zip chest pocket and roomy flap pockets. On the sleeve, it bears the recognizable phoenix emblem, which appeared in the history of the house back in 1969. All this gives her a strong character, but without any unnecessary buzz.<\/p>\n\n\n

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OUTFIT<\/strong><\/h1>\n\n\n\n

Leather Jacket:<\/em>\u00a0Belstaff<\/a><\/strong><\/p>\n\n\n\n

Sunglasses:<\/em>\u00a0Fa\u00e7onnable<\/a><\/strong><\/p>\n\n\n\n

Turtleneck Sweater:<\/em>\u00a0Giorgio Armani<\/a><\/strong><\/p>\n\n\n\n

Trousers:<\/em>\u00a0Loro Piana<\/a><\/strong><\/p>\n\n\n\n

Sneakers:<\/em>\u00a0Fratelli Rossetti<\/a><\/strong><\/p>\n\n\n

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THE PHOENIX ON THE SLEEVE: WHY BELSTAFF STILL MEANS CHARACTER TODAY<\/h2>\n\n\n\n

To explain why I love this brand so much, I have to mention the people who wore it. The list sounds like a list of icons of the twentieth century. Among them are actor Steve McQueen, revolutionary Che Guevara and brave aviator Amy Johnson. Each of them was looking for clothes that could stand up to real life, not just window dressing. This is exactly where Belstaff still finds its soul today.<\/p>\n\n\n\n

Over the decades, the house has created several memorable models. The most famous is probably the Trialmaster, a waxed cotton jacket introduced in 1954. It was distinguished by four pockets, a belt at the waist and an oblique pocket for a map. Such practical details were born from the world of engines and aviation, and over time became part of the fashion vocabulary.<\/p>\n\n\n\n

It is also interesting that 2024 was a special year for Belstaff<\/a><\/strong>. The house then celebrated a full century of existence, exactly one hundred years since its foundation. Although it has changed owners and plants throughout its history, it has remained true to its British roots and the idea of \u200b\u200bdurable clothing. That’s why the jacket in these pictures is not just a wardrobe piece for me. It is a small part of a much bigger, centuries-old story.<\/p>\n\n\n

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BELSTAFF: WHY SUEDE LEATHER?<\/h2>\n\n\n\n

Suede, brushed or rolled leather, whatever you call it, it has a special charm. Its surface is soft and slightly silky to the touch. Light plays on it differently than on smooth skin, so the color appears warmer and more alive. In the Prague afternoon light, that shade of sand took on an almost golden tone.<\/p>\n\n\n\n

Many men are afraid of brushed skin because they believe it is difficult to maintain. Experience, however, tells me that this is not the case. All you need is a soft brush, a special eraser for suede and a little respect for the material. I avoid the rain, and I deal with fresh stains immediately, while they are still superficial. With such care, a jacket like this lasts for years and only gets better with time.<\/p>\n\n\n\n

A detail that many overlook is the relief of the skin itself. In the close-up photo, you can see beautifully how the fibers catch the light around the chest zipper. No glossy material simply can offer such a layer of depth. That’s why I see brushed leather as quiet luxury in its purest form. She does not shout, but waits for you to notice her.<\/p>\n\n\n

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GIORGIO ARMANI TURTLENECK: THE SOFTNESS THAT CHANGED MEN’S FASHION<\/h2>\n\n\n\n

Under the jacket, I wear a Giorgio Armani<\/a><\/strong> cashmere turtleneck, in a warm ivory color. It has a fine embossed, slightly wavy knit work that is only noticeable up close. This kind of restraint marked the entire oeuvre of this great man. The softness of cashmere against the skin gives a feeling that no other material can replicate.<\/p>\n\n\n\n

The story of the house begins in Milan, the heart of Italian fashion. Giorgio Armani and his friend Sergio Galeotti founded the company in 1975. Legend has it that Galeotti persuaded Armani to sell his white Volkswagen, so that together they could raise about ten thousand dollars in initial capital. Before that, Armani worked as a buyer at the Milan department store La Rinascente, and then learned the trade at Nino Cernuti’s atelier.<\/p>\n\n\n\n

What he brought to the world was quiet but powerful indeed. Armani described his approach as softening the image of the man and hardening the image of the woman. He introduced an unstructured jacket, without hard linings and accentuated shoulders, with lines that naturally follow the body. The film “American Gigolo” from 1980, in which Richard Gere wore his suits, brought him world fame. From that moment on, the name Armani became synonymous with effortless elegance.<\/p>\n\n\n

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GIORGIO ARMANI: THE SILENT SEAL OF A FASHION MAESTRO<\/h2>\n\n\n\n

I wear this roll with special respect, because behind it stands an entire era. Giorgio Armani<\/a><\/strong> passed away in September 2025, at the age of 91. Until the very end, he kept his house independent, resisting the offers of large fashion groups. Such perseverance is a real rarity in the world of luxury today.<\/p>\n\n\n\n

His philosophy is best seen in a piece like this. The colors are neutral and calm, the cut is relaxed, and all the luxury is hidden in the touch and fall of the material. There are no shiny buttons or big signs to shout for you. On the contrary, everything is reduced to the most important thing: quality and line.<\/p>\n\n\n\n

When I slip on this ivory softness, I think of the man who made masculine elegance effortless and natural. Before him, men’s suits were often stiff and austere. Armani freed him and gave him comfort without losing his seriousness. This is precisely why his pieces fit so well a mature man who knows what he wants. They do not seek attention, but receive it calmly and safely.<\/p>\n\n\n

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TURTLENECK SWEATER AS THE FOUNDATION OF A MATURE WARDROBE<\/h2>\n\n\n\n

Let me dwell on the roller itself for a moment. I consider it one of the smartest pieces in a man’s wardrobe. It warms the neck, frames the face and gives the line a purity that a shirt hardly achieves. In addition, it goes well with jackets of all kinds, from jackets to leather.<\/p>\n\n\n\n

Cashmere gives it a completely different dimension. This fiber comes from a special type of goat and is prized for its exceptional softness and warmth. It is lighter than ordinary wool and warms better, so it is ideal for changeable spring days. The fine embossed knit work on this roll adds a discreet texture to it.<\/p>\n\n\n\n

For a man in his mature years, the skateboard also has one practical advantage. It elegantly solves the issue of the door, which worries many a little over the years. Instead of a tie or an unbuttoned shirt, you get a soft and well-groomed face frame. The ivory color also brightens the complexion nicely. Because of all this, a good cashmere roll for me is an investment, not just a piece of clothing. Get it right once and you’ll wear it for years.<\/p>\n\n\n

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LORO PIANA VELVET: ONE HUNDRED YEARS OF ITALIAN TRADITION<\/h2>\n\n\n\n

The trousers are made of ribbed velvet by Loro Piana<\/a><\/strong>, in a warm beige shade. The wide leg and soft fall give them a relaxed but refined line. A tie at the waist adds a touch of casualness that pairs nicely with a sports jacket. Velvet is otherwise ideal for transitional seasons, because it warms just the right amount.<\/p>\n\n\n\n

Loro Piana<\/a><\/strong> is perhaps the quietest big story in Italian fashion. The company was founded in 1924, in the town of Quarona in Piedmont, by the engineer Pietro Loro Piana. The family has been trading in wool since the beginning of the nineteenth century, in the town of Trivero. It is interesting that the famous Zegna house originates from the same village. The coincidence is even more beautiful that Belstaff and Loro Piana were born in the same year, in 1924, so recently they both celebrated a full century of existence.<\/p>\n\n\n\n

The real rise was brought by subsequent generations of the family. Nephew Franco took over the house in 1941 and turned it into a respected purveyor of fine fabrics. His sons, Pier Luigi and Sergio, later built the global brand. They became famous for their rare, almost unattainable fibers. Since 2013, the majority owner of the house is the French group LVMH, but the artisanal spirit has remained the same.<\/p>\n\n\n

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LORO PIANA: FROM VICUNA TO QUIET LUXURY<\/h2>\n\n\n\n

To understand why Loro Piana<\/a><\/strong> is so highly regarded, you need to look at what it does. The house became famous for hunting the finest natural fibers in the world. Among them are vicu\u00f1a, baby cashmere and merino wool. These are materials that are harvested in small quantities, far away, in the mountains of the Andes and Mongolia. This is precisely why the name Loro Piana is pronounced with such respect.<\/p>\n\n\n\n

There is also a nice thread that connects this story to the previous one. Loro Piana fabrics were used by Armani himself for his early, revolutionary suits. The same factories also supplied Parisian houses, as well as tailors from London’s Savile Row. Two great Italian houses meet today on my body, through trousers and a turtleneck.<\/p>\n\n\n\n

This particular brand is often cited as an example of the concept of quiet luxury. It’s about luxury that doesn’t ask to be recognized at first glance. There is no visible sign or striking color. Instead, the value is only revealed when you touch the material or when you ask where it comes from. Such an approach has always been close to me, because it respects both the wearer and the observer.<\/p>\n\n\n

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THREADS CONNECTING THE YEAR 1924 AND MILAN<\/h2>\n\n\n\n

The more I researched these four names, the clearer the connections between them became. Two years, for example, keep repeating themselves. Belstaff and Loro Piana were founded at the same time, in 1924, one in England and the other in Italy. Both houses recently completed a century of existence.<\/p>\n\n\n\n

Another connecting node is Milan itself. Armani founded his house right there, while Fratelli Rossetti sprouts in the vicinity of the same town. Loro Piana delivers its fabrics to precisely such Milanese ateliers. Three of the four names on me share the same Italian origin. This is not a coincidence, but a reflection of the long tradition of northern Italy in fashion.<\/p>\n\n\n\n

The most beautiful thread, however, leads through Armani himself. His early suits were made, among other things, from Loro Piana fabrics. He collaborated with Fratelli Rossetti back in the seventies. When I put it all together, I realize that my combination is not just a collection of pretty pieces. It is, in a way, a small map of European craft, woven through a century and several cities. That’s exactly why I loved it so much.<\/p>\n\n\n

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FRATELLI ROSSETTI SNEAKERS: A FAMILY STORY FROM PARABJAGO<\/h2>\n\n\n\n

On my feet are Fratelli Rossetti<\/a><\/strong> sneakers, in a shade of taupe that combines smooth and polished leather. I choose milky white soles on purpose, because they soften the whole look. With such a warm palette, classic shoes would seem a bit too strict. Sneakers, on the other hand, give a touch of relaxation that suits the whole look.<\/p>\n\n\n\n

And this house, just like the previous ones, keeps its family soul. It was founded by Renzo Rossetti in 1953, in Parabiago, a town near Milan. They started a bit by accident, making sports shoes. Those first models were worn by Italian champions in figure skating and hockey. Soon, however, they switched to classic leather shoes and thus found their true path.<\/p>\n\n\n\n

A series of brave moves marked their history. The famous Brera moccasin was created in 1961. They were also the first Italian shoe brand to arrive on New York’s Madison Avenue. In the seventies, they collaborated with names like Valentino and Armani. It’s another Milanese thread that, well, connects my look as a whole.<\/p>\n\n\n\n

Today, the house is run by the founder’s sons, brothers Diego, Dario and Luca Rossetti. These sneakers are therefore a perfect example of how luxury brands combine craftsmanship and comfort. I walked quite a few kilometers on the Prague cobblestones that day. Nevertheless, the feet did not feel a single bit of fatigue, which is the true measure of good footwear.<\/p>\n\n\n

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FA\u00c7ONNABLE: EYEWEAR THAT CAPTIVATE WITH MEDITERRANEAN ELEGANCE<\/h2>\n\n\n\n

One detail in these pictures deserves special attention. These are Fa\u00e7onnable<\/a><\/strong> sunglasses with a round frame in tortoiseshell. The round shape has a long history and carries a note of mild, vintage elegance. With a sandy palette, that warm, mottled frame seems like a natural continuation of the whole story.<\/p>\n\n\n\n

For me, glasses are not just protection from the sun. They are, in fact, the frame of the face and the point where the whole look is rounded off. The right pair can add character to even the simplest combination. That’s why I always give them as much attention as jackets or shoes. A small thing, but it can make a big difference.<\/p>\n\n\n\n

The very spirit of the photographs is also part of this story. I chose quiet corners, empty streets and quiet cobblestone streets, without crowds and noise. I wanted the clothes to breathe and not get in the way. Fortunately, Prague is full of such corners, especially early in the morning. Then the light falls softly, and the city belongs to those who know how to look at it slowly. It is in this light that quiet luxury shows its true face.<\/p>\n\n\n

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SAND COLOR PALETTE: HOW TO BUILD A CALM LOOK<\/h2>\n\n\n\n

The whole combination lives in one color family. Sand, ivory, taupe and warm beige come together like tones on a painter’s palette. Such a tone-on-tone approach seems calm and refined. In addition, it visually lengthens the body line, which is always welcome.<\/p>\n\n\n\n

The secret is not in the sameness, but in fine differences. The jacket is slightly darker and warmer, the turtleneck is lighter and cleaner, while the pants are somewhere in between. Different textures do the rest of the work. Brushed leather, cashmere and ribbed velvet each catch the light in their own way. That’s why this look never seems boring, even though it only uses one color.<\/p>\n\n\n\n

I have deliberately kept the extras to a minimum. Sunglasses with a round frame in tortoiseshell are the only detail that is slightly off-putting. In the world of quiet luxury, this kind of restraint carries the most weight. Namely, less says more. When the material is top-quality, it says everything for you, so jewelry and colorful accessories become completely superfluous.<\/p>\n\n\n

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MALA STRANA AND KAMPA: A THRESHOLD THAT DOESN’T HURRY<\/h2>\n\n\n\n

The place where the pictures were taken deserves its own story. Kampa is the largest island on the Vltava River, on the Mala Strana side. It is separated from the mainland by a narrow stream called \u010certovka, i.e. \u0110avolji potok. That stream powered the town’s mills for centuries. The last of them worked until 1936.<\/p>\n\n\n\n

The name of the island hides a little puzzle. Many believe that it comes from the Latin word “campus”, which simply means field. In the Middle Ages, Campa was really a big garden. Locals bleached their cloth there, next to the river. Only later, when the ground was filled and raised above the level of frequent floods, the first houses appeared.<\/p>\n\n\n\n

Today, Na Kamp\u011b Square is one of the quietest corners of Prague’s center. It is surrounded by small taverns, handicraft shops and family hotels. On one facade, the sign of Hotel Archibald at the Charles Bridge is clearly visible. The easiest way to reach the island is by the side stairs, right from the Charles Bridge itself.<\/p>\n\n\n\n

I like to call this area the Venice of Prague. While the tourists in a long line cross the bridge above, down here there is total silence. I sat down on an old bench, watched the branches reflected in my glasses and felt that peace that big cities rarely offer. That’s exactly why I chose this place for such a peaceful look.<\/p>\n\n\n

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LENNON’S WALL AND OTHER SECRET OF KAMPA<\/h2>\n\n\n\n

The camp is not only interesting for its silence. The island also hides a few real gems. The most famous among them is the Camp Museum, dedicated to Central European modern art. It is located in the old mill building, whose history goes back centuries. The combination of ancient walls and contemporary art seems almost unreal.<\/p>\n\n\n\n

Not far from there is the famous Lennon wall. After the death of John Lennon in 1980, young Prague turned it into a place of messages about freedom and peace. Colorful graffiti still covers its surface and changes almost daily. In a city of pastel facades, that burst of color seems like a little rebel.<\/p>\n\n\n\n

It is also worth mentioning one quiet detail, which is easily overlooked. On the wall near the island is an old water level mark from the great flood of 1890. It reminds how strong the river is and how much the island has lived with it for centuries. While walking around the Camp, it’s worth stopping just in front of such little things. They tell history much more honestly than any postcard. It is precisely because of them that I like to return to this region again and again.<\/p>\n\n\n

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SPRING DRESSING: HOW TO DRESS BETWEEN SEASONS<\/h2>\n\n\n\n

Spring in Central Europe can be quite deceptive. The mornings are fresh, the afternoon is warm, and the evening calls for a layer more. That’s why I love combinations like this, which are easy to adjust. The secret is in layers that can be removed and added as needed.<\/p>\n\n\n\n

A turtleneck and a light jacket make a perfect pair here. When the sun warms up, I simply unbutton the jacket or throw it over my shoulders. When it gets cold again, I zip it up to my throat and I’m instantly warm. Velvet pants also keep just enough warmth for transitional days. Thus, one and the same look follows the whole day, from the morning coffee to the evening walk.<\/p>\n\n\n\n

Sand colors also have a seasonal advantage. They catch the soft spring light and appear warm even when the sky is gray. On the cobblestones of Prague, this was clearly visible. As the day turned from cloudy to sunny, the combination worked equally well. For me, this kind of versatility is the sign of a well-thought-out wardrobe. She is not a slave to time, but calmly deals with it.<\/p>\n\n\n

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HOW CAN YOU WEAR AN OUTFIT LIKE THIS?<\/h2>\n\n\n\n

This combination is by no means reserved only for fashion weeks. On the contrary, it perfectly suits a mature man who appreciates comfort and discreet elegance. The secret is to choose one really high-quality piece. Then calmly build the rest of the look around it.<\/p>\n\n\n\n

Start, for example, with a jacket. A good brushed leather in a neutral color goes with almost everything in the wardrobe. Add a turtleneck or a nice sweater instead of a shirt and you instantly get a softer, warmer feel. Pants should be comfortable, with a slightly wider leg. Today, they look much more modern than tight ones.<\/p>\n\n\n\n

Choose shoes according to the spirit of the whole combination. Clean leather sneakers in earth tones beautifully combine casualness and seriousness. If, on the other hand, you prefer the classics, moccasins or a knitted moccasin do exactly the same job. The most important thing is that all colors stay in the same family. This way the whole look will seem deliberate and not haphazard.<\/p>\n\n\n\n

Finally, don’t forget your posture and smile. Even the most expensive material is not worth much if you wear it unsafely. So always choose pieces that make you feel at home. Quiet luxury, after all, always starts from the inside, and only then reaches the fabric.<\/p>\n\n\n

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WHY DID I CHOOSE THE BELSTAFF JACKET?<\/h2>\n\n\n\n

This springtime walk through Mala Strana reminded me why I love this job so much. A Belstaff suede jacket, an Armani turtleneck, Loro Piana velvet and Fratelli Rossetti sneakers are not just beautiful pieces. Each of them carries a story of family, craft and patience that is measured over decades.<\/p>\n\n\n\n

Those stories also have something in common. They all rest on the idea that real value takes time. Wool has been traded by Loro Piana families for almost two centuries. Belstaff has perfected its jacket over a hundred years. Armani dedicated his whole life to one soft line. Such patience is a rare luxury today, perhaps the quietest of all.<\/p>\n\n\n\n

Prague was the perfect setting for all that. A city that respects its past so much deserves clothes with the same soul. On the cobblestones of Kampa, among the centuries-old facades, these pieces seemed at home. I hope this combination has inspired you to find your own calm, sandy look. See you soon, in some future city and some new story.<\/p>\n\n\n\n

How did you like my outfit today? I really tried to prepare this post with lots of love and I hope you like it! If you have any questions, comments, suggestions or messages for me, you can write me below in the comments. Of course, as always, you can contact me via e-mail or social networks, which you can find on the CONTACT<\/a><\/strong> page. See you soon in new fashion adventures on the Mr.M blog!<\/p>\n\n\n\n

With Love from Prague,<\/em><\/p>\n\n\n\n

Mr.M<\/strong><\/p>\n\n\n

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This post is sponsored by Belstaff<\/a>, Loro Piana<\/a>, Giorgio Armani<\/a> and Fratelli Rossetti<\/a> brands. This post is my personal and honest product review.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

My dear fashionistas, welcome to a new fashion story on the Mr.M blog. Today I am taking you on a fashion walk in one of the most beautiful cities in Europe with the fashion house Belstaff. Prague is certainly a city that is on the travel wish list, so the pictures from today’s fashion story will further prepare you for what awaits you there. When you turn down the narrow stone steps from the Charles Bridge, the cobblestones quietly lead you to Kamp, an island on the Vltava River itself…. Read 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